The Company We No Longer Keep

why grief feels so lonely

The Company We No Longer Keep

A woman sat across from me thirteen months after her husband died and apologized for crying. Not for the crying itself, she clarified, but for still doing it. She said she should be further along by now. I asked her who had told her that. She could not name anyone. 

No one had said it out loud, not her sister, not her employer, not the friends who had been generous in the first weeks and quieter since. The rule had arrived anyway, the way most of our rules about grief arrive, absorbed rather than taught, and by the time she noticed it she had already begun measuring herself against it and coming up short.

Death is an inescapable part of living, and it is a lonely path because the first half is a fact of biology and the second half is not. 

No two losses weigh the same

Begin with what is not negotiable. When someone close to us dies, the loss is as particular as the person and the relationship that has ended. No one else can tell us with any authority what we should do, because our response depends as much on us as it does on who they were to us and how we lost them. 

What we bring to a death includes our age and our experience of earlier losses, what we needed from the person and no longer have any way of getting, and the systems that taught us how to handle any of it, meaning our families, our faith or absence of it, our schooling, our culture, our friends. Two people can lose the same mother and grieve her in ways that barely resemble each other, and neither of them is doing it wrong.

This is why the ranking of losses, which we perform constantly and mostly without noticing, is such a strange habit. We have an unspoken hierarchy, with spouses and children and parents near the top and everything else below, and we use it to decide how much sympathy a person has earned and how long they may reasonably take. But the size of a loss is not a property of the event. It is a property of what the relationship was carrying. 

The death of a spouse, a parent, or a child can be devastating beyond description, and the loss of a marriage, a career, a body that used to work, or a friendship that will not survive what was said can arrive with the same force. I have sat with people whose grief for a vocation was more disorganizing than their grief for a father, and they were often ashamed of that, which added a second injury to the first.

The loss of a child

The loss of a child holds a particular place. A child is not only a person we love. A child is a future we have been living inside, the assumed shape of the decades ahead, the people at the table years from now. To lose a child is to lose the person and to lose the time that was supposed to follow, and grief of that kind does not conclude. It changes register. It becomes something a person carries rather than something a person finishes, and the expectation that it should resolve is one of the crueler things we do to bereaved parents.

Grief used to have company

Where and when you are grieving matters as much as what you have lost. For most of human history, dying was a familiar and largely domestic event. People died at home, among neighbours and extended family, attended by the same community that had been present for their births and their marriages. 

The body was washed and watched by people who had known it. Burial happened close by, often in ground within sight of the places where everyone else continued to live, work, and worship. The dead stayed in the landscape. So did the grieving, and the community had customs to mark them, periods of mourning with visible signs, meals brought without being asked, a year of being treated differently. Grief was not a private interior condition to be managed. It was a public status, and it had company.

It is not only history, and I did not learn it from books. In Bali, where my ceremonial life began, I learned in my body rather than my mind that ritual can be ongoing maintenance rather than an emergency measure, carried inside living structures of temple, offering, and community rather than left to the individual, and that a death, like every other threshold in a life, is held by more than the family. 

In the First Nations ceremonies I have been invited into across the Americas, I learned what one Cree teaching holds in three words, “all my relations”, and that many First Nations teachings understand suffering itself as relational, living in our connection to land, community, ancestry, language, and ceremony. I will not describe the specific practices of either tradition. They are living and particular, they belong to the people who keep them, and they are not content. What I can say is what they taught me about grief. It needs witnesses.

What replaced this was not, I think, a failure of feeling. It was a relocation. Dying moved into institutions, care of the body moved to professionals, cemeteries moved to the edges of cities, and the rituals that used to hold the bereaved thinned into a funeral and a return to work. What we did not replace was the company. The modern expectation is that grief will be intense, brief, and contained, that it belongs to the evenings and weekends of a person’s life rather than to the whole of it, and that a reasonable interval is something like a few days of leave and a few months of allowances. Beyond that, we begin to treat natural responses to loss as symptoms, and we start using clinical language to describe a person who is doing nothing more unusual than missing someone who is not coming back.

When missing someone becomes a symptom

I want to be careful here, because there are people whose grief becomes stuck in ways that respond to skilled help, and I do not want to romanticize suffering or discourage anyone from seeking support. But the diagnostic vocabulary has widened, and the cultural vocabulary has narrowed, and the two together produce a situation where a person like the woman in my office concludes at thirteen months that she has a disorder when what she has is a marriage of thirty-one years and no one to tell about her day.

What is ordinary

It is worth naming what is ordinary. Emotionally, loss commonly brings shock and a period of numbness that can feel like nothing at all and is often mistaken for coldness. It brings sorrow, and yearning, which is the ache of reaching for someone in the half second before you remember. It brings anger, sometimes at the person who died, which is disorienting to feel about someone you loved. 

It brings guilt over what was said or left unsaid, and relief when a long illness ends, and then guilt about the relief. It brings anxiety that has no object, loneliness in rooms full of people, and a flatness in which nothing is pleasurable and nothing is particularly terrible either.

Behaviourally, the picture is just as recognizable. Sleep goes, or comes in the wrong hours. Appetite changes in either direction. Concentration fails, and people find themselves rereading the same paragraph or driving somewhere they did not intend to go. There is searching, which is more common than most people admit, the scanning of crowds for a familiar walk, the sense of hearing someone in another room. 

There is speaking aloud to the person. There is avoiding their photographs, or sleeping in their shirt, sometimes in the same week. There is withdrawal from company, restlessness that cannot settle to any task, a sudden intolerance for small talk, and a tendency to sigh without noticing. None of this is malfunction. It is what a human being does when a person they organized their life around is gone.

Begin a journal

If you are in this now, there is work available to you, though I want to be careful with the word work, because it suggests a task with a completion date and this is not that. What I mean is that there are things you can do that make room for grief rather than manage it, and the first of them is simple enough to begin tonight.

Begin a journal.

I do not mean a record of your progress, and I do not mean a place to track whether you are improving. Both of those turn mourning into a performance with an audience, and you already have enough of an audience. I mean something closer to correspondence. Write to them. Tell them what happened this week. 

Tell them the thing you would have told them in the car on the way home, the small unimportant observation that had no other destination and now has nowhere to go. That homelessness of ordinary detail is one of the least discussed and most exhausting features of loss, and a page will hold it.

Write the things you cannot say aloud. Write what you cannot forgive them for, and do not soften it for the benefit of a reader who does not exist. Anger at the dead is common and almost entirely unspeakable in company, because it sounds like a betrayal of someone who can no longer answer, and so it goes underground and comes out sideways at people who had nothing to do with it. 

Write the guilt as well, including the part that is not rational and will not survive daylight, and the relief if there was relief, which almost nobody will admit to a living listener. Write what you never said. Write what you said and wish you had not. You are not building a case. You are putting something down that you have been carrying in your hands.

Write the ordinary days too, the ones where nothing happened and you felt almost fine, because those days come earlier than people expect and are frequently followed by shame. Recording them without apology is its own quiet instruction to yourself that continuing to live is not an act of disloyalty.

A few practical things, since people ask. Use paper if you can, because a screen invites editing and editing invites an audience. Give it a time rather than waiting for the urge, and keep the sessions short, because grief does not need to be excavated and fifteen or twenty minutes is usually plenty. 

Do not reread for the first while. When you do reread, months later, you will find something you could not have been told, which is that the entries have changed shape without your permission, and that is more convincing than any assurance I could offer you now. And if on a given night the page is unbearable, close it. Nothing is lost by stopping.

What the journal does, I think, is less mysterious than it sounds, though I want to be honest about the evidence. The research on whether expressing grief speeds recovery is more mixed than the self-help shelf suggests, and plenty of people grieve well without writing a word. But in my experience, grief that has nowhere to go does not stay where you put it. 

It seeps into sleep, into concentration, into patience with people who do not deserve your impatience, and into the internal argument that runs underneath every other thought. Giving it a designated place does not empty it out, but it does stop it from flooding everything else, and it slows the argument down enough that you can hear what is actually being said in it. Most of what I hear in those pages, when people choose to bring them into the room, is not despair. It is unfinished conversation.

The relationship has not ended

The relationship has not ended. Yes the loss is catastrophic and permanent, but a relationship is not only a transaction between two living bodies. It is also a structure inside you, built over years, that continues to shape how you speak, what you notice, what you find funny, what you refuse to tolerate. The dead remain among the people who made you and go on making you. They are still consulted. 

They are still argued with. Grief researchers have a name for this, continuing bonds, from the work of Dennis Klass, Phyllis Silverman, and Steven Nickman, and it matches what I see in the room. Long before the research named it, ceremonies I have sat in held it as ordinary: the ancestors are present, not as memories to be released but as relations, part of the life a person goes on living. What changes is not their membership but the terms of it, and grief is in part the slow and unwilling work of renegotiating those terms. This is why the instruction to let go, offered kindly and constantly, lands so badly. Nobody who has loved well can comply with it, and the attempt to comply mostly produces a person who has stopped speaking about someone they think about every day.

Tell one living person the truth

The second thing you can do is harder than the journal, and it is to tell one living person the truth. Not the summary you give at work. One person. And ask them, specifically, for company rather than advice, because most people offer advice out of helplessness and you will find yourself managing their discomfort instead of tending your own. It is entirely reasonable to say that you do not need anything fixed and would like someone to sit with you while you are sad. People are often relieved to be told. They have been standing outside for months not knowing whether to reach out.

Mark the dates

Mark the dates, too. Anniversaries, birthdays, the date of the diagnosis, whatever the calendar has quietly become for you. Decide in advance what you will do and who, if anyone, will be with you, because an unmarked anniversary does not pass unnoticed. It arrives in the body before it arrives in the mind, and people frequently spend a week wondering what is wrong with them before they look at the date. 

And pay particular attention to the second year, when the meals have stopped coming and everyone else has returned to their own lives and the numbness has worn off enough that you feel the whole shape of it for the first time. For many people the second year is harder than the first, and almost nobody is warned.

Love with nowhere to go

The loneliness in grief is not evidence that something has gone wrong with you. It is the accurate registration of an irreplaceable absence. No technique dissolves it, because it is not a problem awaiting a solution. It is love with nowhere to go, and it will go on being that for as long as it needs to.

What has gone wrong is elsewhere. Having removed the relationships, we told the bereaved that their difficulty was interior and probably clinical. It is not interior. It is structural. One meal brought without being asked. One conversation in which nobody changes the subject. One year in which we let someone be different, and do not require them to be finished.

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